Las óleos de todo Moore, Albert Joseph
Choice ID Image  Painting (From A to Z)       Details 
19499 A Garden  A Garden   1869 Oil on canvas Tate Gallery, London.
19493 A Musician  A Musician   1865-66 Oil on canvas Yale Center for British Art, New Haven, CT.
51781 a painter-s tribute to the art of Music  a painter-s tribute to the art of Music   mk221 1868 Oil on canvas 61x88.3cm
19498 A Venus  A Venus   1869 Oil on canvas York city Art Gallery.
19495 Apricots  Apricots   1866 Oil on canvas Fulham Public Library, London.
19497 Battledore  Battledore   1868-70 Oil on canvas Private collection.
19491 Dancing Girl Resting  Dancing Girl Resting   1863-64 Oil on canvas Private collection.
19494 Lilies  Lilies   1866 Oil on canvas Sterling & Francine Clark Art Institute, Williamstown, MA.
28447 Loves of the Winds and the Seasons  Loves of the Winds and the Seasons   1890-3 Oil on canvas 185 x 216 cm (72 7/8 x 85 in) Blackburn Museum and Art Gallery (mk63)
19502 Pansies  Pansies   1875 Oil on canvas Private collection.
19492 Pomegranites  Pomegranites   1865-66 Oil on canvas Guildhall Art Gallery, London.
19500 Seagulls  Seagulls   1870-71 Oil on canvas Williamson Art Gallery and Museum, Birkenhead.
96389 Setting Sail on a Lake in the Adirondacks  Setting Sail on a Lake in the Adirondacks   oil on canvas, 41.91 cm (16.5 in.) x 67.63 cm (26.63 in.) cyf
19501 Shells  Shells   1874 Oil on canvas Walker Art Gallery, Liverpool.
19496 Shuttlecock  Shuttlecock   1868-70 Oil on canvas Private collection.
19490 The Mother of Sisera Looked out a Window  The Mother of Sisera Looked out a Window   1861 Oil on canvas Tullie House Museum and Art Gallery, Carlisle.
Moore, Albert Joseph
English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.



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